You’re basically one of the leading thinkers of what we might call the school of thought that’s known as accelerationism. Accelerationism is something like the view that contemporary history is changing at an exponential rate, technologically and economically, and that this rate of change confounds nearly all of our traditional concepts for thinking about society and economics and politics. If someone on the street walked up to you and asked you “What is this whole accelerationism thing?” is there a kind of key essence or upshot that you would add to what I just said?
There is a famous scene in the movie Alien where engineer Brett is chasing a cat in the space ship’s engine room and unexpectedly runs into an alien. So do the spectators, who see an adult alien for the first time—even a bit sooner than the character since the creature descends from the ceiling behind Brett’s back while he is staring into the camera and courting Jones, the cat. I believe our attitude towards capital to be quite similar—we are Brett the moment before he turns around, we sense something unbearably, monstrously alien behind our back, yet we still behave as if we were only chasing a cat. The alien capital in the title stands for alienness, for the eighth passenger aboard a spaceship with seven humans. The capitalist economy we are more familiar with also encompasses classes, entrepreneurs and employees, banks and finances etc. and something else, something alien.
Synthetic Fabrication: The Myth of the Politics-to-Come (Part 1: The Generative Myth)
Towards the end of his book on Henri Bergson, Deleuze mined from the philosopher’s work a spectral prefiguration of the people-to-come: the faint traces of an emergent and enigmatic open society, a “society of creators” and ‘privileged’ souls connected together by an imperceptible circuitry. Standing atop a grand, abstract summit, the open society derives its name not only from its differentiation to the closed society, but through that which it opens onto. The open society moves in the direction of what Bergson had called the élan vital, the impulse or force that compels self-organization in matter and morphogenesis through time. Such a movement is an affair of life itself, the sifting apart of the organic from the inorganic, organization from base matter. By ascending up a cosmological hierarchy in order to enter into unending engagement with this force, the mark of the open society is life at its most creative.